good things come
In the limbo of a rehearsal we meet "The Dancer".
"The Dancer" has many ideas, many things it would like to express. It tests some of them out – sometimes with success - at other times overwhelmed by the sheer number of possibilities. Wishing to emerge from a quagmire of good intentions, "The Dancer" tries to gather the force to be decisive and consequent, but it seems there are other things to be done on the road to nowhere...
Good Things Come speaks to a feeling of inertia that might feel familiar to us all. Occasionally lucid, yet mostly mushy, the workexpresses what it can: a collage of indecipherable scenarios that dissolve as quickly as they appear.
Documentation: email me for the link :)
Concept, choreography and performance: Declan Whitaker
Stage + Light design: Klara Mand
Costumes: Yann Slattery
Sound design: Oliver Leith
Light technology: Jan Vahl
Conceptual development: Elliot Reed
Outside eye: Riccardo Tarocco
Dramaturgical advisor Tanzhaus Zürich: Lea Moro
Production management: Catalina Schriber
Photos: Michelle Ettlin
Coproduction: Theater ROXY, Tanzhaus Zürich
Residency partner: Dampfzentrale Bern
Supported by Ernst Göhner Foundation, Schweizerische Interpretenstiftung SIS, Stanley Thomas Johnson Foundation, Landis & Gyr Foundation, Elisabeth Weber Foundation, Corymbo Foundation, Jaqueline Spengler Stiftung
Concept, choreography and performance: Declan Whitaker
Stage + Light design: Klara Mand
Costumes: Yann Slattery
Sound design: Oliver Leith
Light technology: Jan Vahl
Conceptual development: Elliot Reed
Outside eye: Riccardo Tarocco
Dramaturgical advisor Tanzhaus Zürich: Lea Moro
Production management: Catalina Schriber
Photos: Michelle Ettlin
Coproduction: Theater ROXY, Tanzhaus Zürich
Residency partner: Dampfzentrale Bern
Supported by Ernst Göhner Foundation, Schweizerische Interpretenstiftung SIS, Stanley Thomas Johnson Foundation, Landis & Gyr Foundation, Elisabeth Weber Foundation, Corymbo Foundation, Jaqueline Spengler Stiftung